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The Great Movie Inside Out -2 in Hollywood 2024

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On a budget of $200 million, Inside Out 2 was initially projected to gross $80–90 million in its domestic opening weekend. The sub-$100 million industry projections were partially due to the notion that general audiences remained hesitant to return to theaters, given the direct-to-streaming releases of the Pixar films Soul (2020), Luca (2021), and Turning Red (2022) on Disney+, the underperformance of Pixar's Lightyear at the box office in 2022, and the lackluster box office results of several films in 2024.[2][50][51] After making $63.6 million on its first day,[52] including an estimated $13 million from Thursday night previews, projections were raised to $140–150 million for the weekend.[53] It ended up grossing $154.2 million domestically from 4,440 theaters and an estimated $140 million from 38 international markets, for a worldwide debut of $294.2 million, the highest in Pixar history.


In the United States and Canada, the $154.2 million opening weekend was the best of 2024, surpassing Dune: Part Two ($82.5 million) and Godzilla x Kong: The New Empire ($80 million) to become the first film of the year to open above $100 million, and the third-best for an animated film behind Pixar's own Incredibles 2 (2018; $182.7 million) and Disney's The Lion King (2019; $191.7 million).[e] It was also the fourth-best opening for a PG film after The Lion King, Incredibles 2, and Beauty and the Beast ($174 million). With an average ticket price of $12.53 overall and $10.36 for children, twelve million moviegoers saw the film in its first weekend, nearing the thirteen million admissions for Barbie (2023) in its first three days. It played strongly throughout the day (22% of viewers attended before 1 pm, 35% between 1 pm and 5 pm, 26% between 5 pm and 8 pm, and 17% after 8 pm), benefiting from substantial walk-up business credited to its multi-cultural pull (of the opening weekend audience, 36% identified as Hispanic and Latino). IMAX and Premium Large Formats (PLFs) accounted for 43% of the earnings, while 14% came from 3D showings.[53][54][56] The film found momentum during the weekday, bringing its seven-day total to $255.2 million and reaching multiple box-office milestones,[58] including the second-highest-grossing first Monday for a Pixar film (at $22.4 million),[59][60] the highest-grossing first Tuesday for an animated film (at $28.8 million),[61][62] the third highest non-opening Wednesday after Star Wars: The Force Awakens (2015; $38 million) and Star Wars: The Rise of Skywalker (2019; $32.2 million) that doubled as a record for the Juneteenth federal holiday since it began in 2021 (at $30.1 million),[63][64] and the highest-grossing first Thursday for a Pixar film (at $19.6 million).[65][66]

The film made $101.2 million in its second weekend, a mere 34.4% drop to become the most profitable second weekend for an animated film, topping the $92.3 million earned by The Super Mario Bros. Movie (2023), and the seventh-best second weekend overall. Deadline Hollywood's Anthony D'Alessandro attributed the feat to heat waves and rainstorms prompting people to visit air-conditioned theaters.[67][68] During its third weekend, it beat newcomer A Quiet Place: Day One to remain at the top of the box office with $57.5 million.[69][70] On the Fourth of July, it crossed $500 million domestically, and during its fourth weekend, the film made $30.3 million, finishing in second behind Despicable Me 


Worldwide, the film surpassed the gross of its predecessor ($858.8 million) on June 27, 2024, after sixteen days of release.[73] On June 30, 2024, it crossed the $1 billion threshold, becoming the first Disney animated film to do so since Frozen II in 2019. With this, Inside Out 2 equalled the record of The Lion King as the fastest animated film to cross $1 billion, doing so in 19 days.[e][74] On July 10, 2024, the film surpassed the global box office of Incredibles 2 ($1.242 billion) to become the highest-grossing Pixar film.[75] The film broke various international box office records in Latin America, becoming the highest-grossing film in Brazil, Chile, Colombia, Mexico, and Uruguay.[76] On July 28, 2024, it surpassed Incredibles 2 as the highest domestic grossing animated film of all time.[77] On August 25, 2024, it became the second animated film to gross $1 billion internationally.[78][e] On September 1, 2024, it surpassed The Lion King to become the highest-grossing animated film of all time and the highest-grossing film released under the Walt Disney Pictures label.


Critical response

The film received positive reviews.[f] According to Animation Magazine, most critics praised its color palette, storyline, and the introduction of new emotions, but some expressed dissatisfaction with the predictability of the external plot related to Riley's acceptance by her new hockey team.[84] On the review aggregator website Rotten Tomatoes, 91% of 316 critics' reviews are positive, with an average rating of 7.6/10. The website's consensus reads: "Spicing things up with the wrinkle of teen angst, Inside Out 2 clears the head and warms the heart by living up to its predecessor's emotional intelligence."[85] Metacritic, which uses a weighted average, assigned the film a score of 73 out of 100, based on 59 critics, indicating "generally favorable" reviews.[86] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale (the same as the first film), while those surveyed by PostTrak gave the film an average of 4.5 out of 5 stars, with 71% saying they would definitely recommend it.

Moira Macdonald of The Seattle Times awarded the film 3+1⁄2 stars out of four, commending the voice cast and the film as "a happy head trip, for any age".[87] Robbie Collin of The Daily Telegraph gave the film four stars out of five, praising the animation, metaphors, and wit while saying "the cast-iron ontological brilliance of Docter's original premise bears expansion well".[88] Owen Gleiberman of Variety praised Hawke's performance as Anxiety and the film's emotional impact, calling it "the most poignantly perceptive tale of the conundrums of early adolescence since Eighth Grade".[89] Manhola Dargis, in The New York Times, praised "Pixar's skill for turning ideas into images, some of which actually manage to slip past the safety of its nice worldview with shocks of the sublime."[90] Other positive reviews include The Observer[91] and Empire,[92] while reviews from the BBC[93] and Los Angeles Times[94] were more mixed. Among the mixed reviews, Siddhant Adlakha, writing for IGN, found the film was "surprising and disappointing in equal measure".[95] David Ehrlich of IndieWire gave the film a 'C–' rating, writing that the film "so perfectly ticks Pixar's boxes in a way that forces the sincerity of its storytelling into a losing battle with the cynicism of its existence.


Various reviewers, including Cindy White for AV Club,[96] unfavorably compared the film to its predecessor and the new characters received a diverse appraisal. Anxiety was the new emotion attracting most attention, for example from Alison Willmore in Vulture[97] or Jordan Hoffman for Entertainment Weekly,[98] while Peter Bradshaw in The Guardian[99] and Odie Henderson in the Boston Globe[100] particularly praised the character of Ennui, voiced by Adèle Exarchopoulos. In his review for NPR, Justin Chang analyzed the nostalgia at work in the film but, precisely, criticized the retro sequence based on cartoon images.

Robert Daniels, in his review on RogerEbert.com, felt that the film effectively used Anxiety to transform Riley into a blank character, while Joy and other emotions navigate her mind. For Daniels, this structure allowed the film to blend visually stunning scenes with a whimsical style that is both gentle and entertaining, addressing the pressures faced by teenage girls. Daniels noted that the new emotions introduced were not as memorable as the main emotions.


Writing for Deadline, Damon Wise, however, was rather negative about the film and concluded, "Battle-weary parents of surly teens will have some fun here and there, especially when Ennui's blasé influence opens up a 'sar-chasm' in Riley's brain that makes everything sound, well, sarcastic. But, when all's said and done, the stakes are so minor, it's hard to imagine anyone will leave this desperate to see an Inside Out 3.".

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